Painting alla prima has always posed a significant challenge for me. During my trip to France last March, I enrolled in Paul Foxton’s online Art School, where I discovered a wealth of knowledge under the guidance of this exceptional artist and teacher. The experience has been deeply rewarding, enhancing my skills considerably.
Despite my efforts, I find it difficult to paint with a loose style, even when I attempt to do so. As an artist, I naturally gravitate toward realism and intricate details, a preference that feels instinctive and brings me great joy.
In this painting, I hope you'll feel a hint of nostalgia and quiet grace, or the delicate balance between fragility and enduring charm.
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